QUICK EXIT

Annual Reports

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Annual Report: Sahiyo U.S: June 2019-June 2020 Throughout this past year, our programs have expanded to support larger numbers of women impacted by female genital cutting. Our Voices to End FGM/C project alone saw the creation of 37 new original digital stories stories. Running since 2017, the program involves survivors coming together to heal from […]

From Saving Safa to Seven: How authors use writing to shed light on FGC

By Cate Cox “Without our work, the issue would quickly be swept under the carpet — and so we carry on.” —Waris Dirie, Saving Safa  It wasn’t until my first year at university before I was asked to critically engage with the issue of female genital cutting (FGC). Up until then what I knew about […]

Research study explores female genital cutting

“Talking about Female Genital Cutting (FGC): A Study” is a research study undertaken to explore the way communities talk about FGC, the challenges of having such conversations, and the attitudes toward movements and campaigns on FGC. The study is authored by Reetika Revathy Subramanian and funded by Grand Challenges Canada. The project has been led […]

Sleeping researchers and lack of data on female genital cutting in Pakistan

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 By Huda Syyed Two decades ago, I flipped through Reader’s Digest to distract my mind from schoolwork and the sweltering summer heat of Pakistan. My eyes glanced at the brief excerpt displayed mid-page with a glossy picture of a famous Somalian model, Waris Dirie. She exuded a sense of resilience, and I knew there was […]

SEVEN, the first novel of its kind to address female genital cutting in the Bohra community, releases this month

SEVEN is being released in North America this September (Sept 5 Canada/Sept 29 U.S.). The novel sensitively addresses women’s relationships, sexuality, infidelity, intergenerational violence, religion and healing sexual trauma within the context of the Dawoodi Bohra (sub-sect of Shia Islam) community. This is the first novel of its kind to address female genital cutting in the Bohra […]